Light Years: Conceptual Art and the Photograph 1964-1977

There is a general consensus that new art of the 1960s and 1970s was heavily invested in photography. Not since the promotion in the 1920s of photomontage, photograms, and the New Vision had so many painters and sculptors turned to photography for a renewal of artistic practice. Light Years: Conceptual Art and the Photograph, 1964-1977 is the first major museum exhibition to examine that vanguard involvement in its full scope. Light Years reveals that Conceptual Art tended less towards the “dematerialization” of the art object than the elaboration of a new class of objects that functioned as multi-dimensional, multi-media hybrids. These changeable works, which blurred the boundaries between book arts, film, paintings, and sculpture, in turn prepared the way for all contemporary art to become a field without a medium.

Organized as a thematic survey, Light Years presents over 130 works—including slide and film projections, sculpture, installations, photographic canvases, and book arts—from approximately fifty key figures of that era, among them Italian and Eastern European artists less often integrated into surveys of Conceptual Art today.

Catalogue: The exhibition is accompanied by a fully illustrated catalogue, with a lead essay by Matthew S. Witkovsky, curator and chair of photography at the Art Institute of Chicago, and further contributions by Anne Rorimer, Chicago; Mark Godfrey , Tate Modern ; Robin Kelsey, Harvard University; Giuliano Sergio, Rome; and Joshua Shannon, University of Maryland.

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