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Rearview Mirror

Künstler: Pawel Althamer, Lucia Tkácová, David Maljkovic, Gintaras Didžiapetris, Anna Kolodziejska, Igor Eškinja, Wilhelm Sasnal, Deimantas Narkevicius, Ciprian Muresan, Ivan Moudov, Anna Molska, Anna Ostoya, Taras Polataiko, Alex Mirutziu, Jan Mancuska, Roman Ondak, Sislej Xhafa, Katarina Zdjelar, Annetta Mona Chisa, Dušica Dražic, Dénes Miklósi, Johnson & Johnson

Ausstellung: 01.07.2011 - 05.09.2011

Veranstalter: The Power Plant
The Power Plant bei art-report

Stadt: Toronto
Homepage: The Power Plant


Anetta Mona Chisa & Lucia Tkácová, MANIFESTO OF THE FUTURIST WOMAN (LET’S CONCLUDE), 2008. Colour video with sound, 11:13 min. Produced by Neuer Berliner Kunstverein, 2008. Courtesy of the artists and Christine König Galerie, Vienna. Photo credits: Anetta

 


Rearview Mirror is a large thematic exhibition that brings together the work of a new generation of artists from Central and Eastern Europe. Looking both to the past and to the future, the works by the 22 artists in the exhibition engage post-conceptual strategies and forms, and collectively challenge accepted notions of Eastern Europe as a social, political and art historical monolith. In an attempt to alter stereotypes of Eastern Art and Easternness in general, the exhibition is a kind of preliminary experiment and dialogue in the post-socialist period. Twenty years after the fall of the Berlin wall, one might expect great changes in the cultural practices in the region known since the Yalta agreement as the “Eastern Bloc” even though the political cultures and  histories of the various nations comprising it greatly diverge. Indeed this is the case in many practices that have been selected mainly for the artists’ choices of non-traditional forms that range in media from video, installation and performance to sculpture and painting. Many of the artists are self-taught or have worked outside of the academy (where their non-traditional approaches would not have been supported). Other artists worked through academic channels where previous avant-gardes maintain their position within official institutions.

Although the specific political histories of the countries of the East are inextricably linked to past aesthetic practices, in many exhibitions based largely on a political geography there is a tendency to expect art to demonstrate something about the relation between East and West, to demonstrate something about its Easternness or to generalize the unique political situations from which they may have derived. Instead this exhibition does not do this and does not attempt to be all-inclusive or encyclopedic. Rearview Mirror brings together the work of artists from diverse backgrounds and histories to look at the non-traditional practices of a younger generation of artists from the last decade, presenting an opportunity to view artworks by relative newcomers such as Ciprian Muresan , Gintaras Didžiapetris and Anna Molska in the context of some of their contemporaries already known through international art circuits such as Pawel Althamer , Roman Ondák and Wilhelm Sasnal .

Christopher Eamon is a Canadian-born, New York-based independent curator who has curated numerous international exhibitions and edited and written for a wide number of publications. For over a decade Eamon was curator of the internationally respected Pamela and Richard Kramlich Collection in San Francisco.

Pressetext


KünstlerInnen: Pawel Althamer , Annetta Mona Chisa , Lucia Tkácová , Gintaras Didžiapetris , Dušica Dražic ,, Igor Eškinja , Johnson & Johnson , Anna Kolodziejska , David Maljkovic , Jan Mancuska , Dénes Miklósi , Alex Mirutziu , Anna Molska , Ivan Moudov , Ciprian Muresan , Deimantas Narkevicius , Roman Ondak , Anna Ostoya , Taras Polataiko , Wilhelm Sasnal , Sislej Xhafa , Katarina Zdjelar