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| Haim Steinbach | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| Künstlername: | Haim Steinbach | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| bevorzugtes Medium: | Skulptur / Plastik | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Geburtsjahr: | 1944 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Nationalität: | IL | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Wohnort: | New York | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Haim Steinbach auf MyArtSpace |
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Auf MyArtSpace bekommen Künstler die Gelegenheit für ihren eigenen kostenfreien Internetauftritt. zur Hauptseite von MyArtSpace Wenn Sie Haim Steinbach sind und eine Profilseite auf MyArtSpace anlegen möchten, dann können Sie sich hier anmelden. |
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Reports zu Haim Steinbach: |
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| Professional Report von Haim Steinbach | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Haim Steinbach - Profile |
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| Haim Steinbach's is an art about the nature of art. Placing often banal and mass produced objects on his wedged laminate shelves he forces us to consider what is given access to the history of art, and why. Moving beyond the Duchampian notion of the ready made, viewers are asked to think about not only the object itself, but also the relationship between the objects. Calling into play the social life of the object, its heritage and biography, it becomes apparent that things are valued for different reasons. An insole loses its commercial value once it has been used, but to the owner it becomes at first invaluable, and then worthless as it wears out. It's status changes again once Steinbach places it within a framework of artistic institutions. In this way, everyday items can be subversive, challenging art snobbery, whilst democratising the art object. For some, two pairs of insoles and a pile of corks on a shelf might simply be old items no longer useful. For others the juxtaposition of objects might conjure memories of a loving couple sipping wine on a balmy summer evening. The emotional value of the objects and how it is measured is then, utterly subjective. Steinbach's sculptures and installations consider how contemporary consumer culture places objects in hierarchies. Working with bought and found items his work consistently challenges concepts of display and redefines the status of the art object. Situating everyday objects within the position of 'high art', Steinbach works to remove judgmental hierarchies surrounding everyday items, to consider the true nature of the object's existence. Suggesting that all objects have equal value and importance, the groups of objects placed on shelves or placed in drawers or cupboards, take on new meanings and allow unexpected experiences when considered out of context. Bringing the aesthetic qualities of ordinary items to the fore, Steinbach displays them on minimalist shelves. The triangular support structures become sculptures in their own right, the use of sharp angles, colour and mirrors creating a physical presence. The contrast between the smooth flat surface and the fetishised toys, mugs and doll parts creates a provocative asymmetry, each casting the other in a new light. The formation of each sculpture reveals the already present beauty of the ordinary object. A careful arrangement of door mats and dustpans on a mirrored surface presents us with familiar items, but displayed in this manner we are asked to consider the individual components of the sculpture in a new way. The artistic organisation of objects disrupts their identity as consumer goods. The shift from utilitarian commodity to aesthetic construct is echoed by a shift from object of necessity to object of desire. (www.gimpelfils.com) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
wichtigste Ausstellungen von Haim Steinbach |
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WHAT'S ON - aktuelle Ausstellungen mit Haim SteinbachThis Will Have Been: Art, Love, & Politics in the 1980s11/02/2012 - 03/06/2012Dotty Attie Jean-Michel Basquiat Robert Colescott Robert Gober Jack Goldstein Peter Halley Mary Heilmann ... Chicago La Triennale "Intense Proximity"19/04/2012 - 06/08/2012Wifredo Lam Pierre Verger Walker Evans Helen Levitt Jean Rouch Carol Rama Daniel Buren ... Paris Raw Materials - Vom Baumarkt ins Museum25/05/2012 - 16/09/2012Arman Michael Beutler Tony Cragg Hartmut Böhm Bill Bollinger Stefan Eberstadt Fischli & Weiss ... Ingolstadt Art, Love & Politics in the 1980s30/06/2012 - 30/09/2012Dotty Attie Jean-Michel Basquiat Robert Gober Peter Halley Jack Goldstein Robert Colescott Martin Kippenberger ... Minneapolis American Exuberance30/11/2011 - 27/07/2012Kathryn Andrews Frank Benson Richard Jackson Hannah Greely Thomas Houseago Rashid Johnson John Baldessari ... Miami |
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Galerien, die
Akira Ikeda - New York |
Sammlungen, in denen
capc Musée d'art contemporain |
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