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Enthält zusätzlich zum Profil des/der KünstlerIn eine Bewertung des Galerienetzwerks, der Präsenz in öffentlichen zugänglich Sammlungen und der seit 2004 erzielten Aufmerksamkeit im weltweiten Ausstellungsbetrieb.
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| Kai Althoff - Künstlerdaten | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Kai Althoff - Profile |
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Kai Althoff focuses on the artist's most recent artistic production, including new resin and iron sculptures, several collaborative projects and a re-envisioned environment from the 4th Berlin Biennale, along with a selection of celebrated earlier works. Althoff was born in 1966 in Cologne, Germany. Based in the city of his birth, the artist travels extensively for his individual and collaborative endeavours, exhibiting his work both nationally and internationally. His artistic output encompasses a vast spectrum of media, including works on paper, painting, photography, music, videos, text, performances and installations. Althoff is also co-founder of the German band Workshop, which figured largely in his early artistic practice and whose namesake—a place of individual and collaborative creative production—remains a recurring theme in his work. During the 1990s, Althoff maintained a strong presence in Germany and elsewhere in Europe. With his exhibition Impulse (2001) at New York's Anton Kern Gallery and his inclusion in the Museum of Modern Art's landmark exhibition Drawing Now: Eight Propositions (2002), Althoff's international stature blossomed. While these exhibitions gained him a reputation for painting and drawing, it was the artist's first major museum survey at the Institute of Contemporary Art, Boston—Kai Kein Respekt (Kai No Respect) (2004)—that showed audiences the breadth of his exceptionally diverse artistic production. (Vancouver Art Gallery) |
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wichtigste Ausstellungen von Kai Althoff |
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Galerien, die
ACME Gallery |
Sammlungen, in denen
Dacra Art & Design Collection |
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