Lee Ufan

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Ufan Lee is one of the most important contemporary artists from Asia, whose works are present in the world's finest collections. End of the sixties was one of the leading Ufan members of the Japanese art movement Mono-ha, the international attention generated. Lee Ufan associated with this avant-garde artists, the idea of a non-representational art, which will not be ABV expression of subjective experience of the artist. Rather, he focuses on a basic survey of the image and its bildräumliche distance. In the early series of works From Point (1973) and From Line (1977) is Lee Ufan individual brush strokes on a large white screen. These discrete characters on the screen with each other in dialogue and reflect on the emptiness of the image ground out into space and create a sense of infinity. Every single line with care and concentration is set. Lee Ufan creates a tension between the material presence of the stroke and the spatial void of the white canvas unframed out into the space of the viewer. In the 90 years in his series of works, correspondence and Lee reduced the brush moves back to a few individual characters that he can float in the vastness bildräumlichen. In all his pictures, but the effort remains a picturesque representation of infinity and emptiness, filled with life by some recurring characters. © Kunstmuseum Bonn

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Lee Ufan:

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Lee Ufan