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| Shahzia Sikander | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| Artist's Name: | Shahzia Sikander | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Preferred medium: | painting | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| birth year: | 1969 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Nationality: | PK | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| City: | New York | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Shahzia Sikander auf MyArtSpace |
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MyArtSpace is a free platform for artists who want to present their work. home page of MyArtSpace If you are Shahzia Sikander you can create your own free profile page on MyArtSpace. Please send your request here. |
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Shahzia Sikander - Profile |
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| The Aldrich Contemporary Art Museum presented Shahzia Sikander: Nemesis, an exhibition of recent animations, drawings, and a site-specific installation by the Pakistan-born artist from September 19 through January 2, 2005. Nemesis is a traveling exhibition in two parts, organized by Aldrich associate curator Jessica Hough in collaboration with curator Ian Berry of The Tang Teaching Museum and Art Gallery at Skidmore College. This exhibition was made possible in part by the Islamic World Arts Initiative, a program of Arts International generously supported by the Doris Duke Foundation for Islamic Art. The Aldrich exhibition unveiled new works completed during the summer of 2004. An opening reception was held at the Museum on September 19, 2004,. Indian dancer and Yoga practitioner, Sharmila Desai, performed at the opening reception for the exhibition. Desai and Sikander have collaborated in various creative capacities over the past few years. Born in the multicultural city of Lahore, Pakistan, Sikander grew up equally conversant with international pop culture and her country's heritage of miniature painting, which originated as a court tradition for illustrating royal manuscripts and reached its height during the Mughal Empire (1526-1857), when Muslim rulers reigned over predominantly Hindu India. By Sikander's day, cliché miniature images were "abundant as gift items everywhere, saturating the tourist market," she recalls. "My initial feeling was that it was kitsch, but I saw the potential of subversion." Today, Sikander freely mingles Hindu and Muslim painting techniques with contemporary Western elements, from American painting and pop culture to images of war, supermodels, and fairy tales. Sikander's innovative blend of ancient and contemporary themes were evident in the new works on view at The Aldrich. Co-curator Jessica Hough describes the uniqueness of Sikander's style: "While Sikander is totally engaged with the tradition of miniature painting, her work is only in part about looking back. She has developed numerous ways to play off this source material, producing work which is unmistakably contemporary." Animation: A highlight of the exhibition was the debut of an animation that focused on landscape, an essential aspect of miniature painting that is traditionally secondary to the action or figures in the composition. In this video, which was projected in large-scale, the landscape is not the backdrop for the action, but rather provides the action. Sikander has created imagery inspired both by nature and the stylized landscape of the miniature. The trees, hills, root systems, rivers, and mountain ranges come to life and command the content of the drama. The animation was accompanied by a soundtrack that echoes and enhances the drama unfolding visually. Drawings: The exhibition also included a suite of graphite drawings, fifty in total, one to be titled 51 Ways of Looking. These highly detailed line drawings, similar to sketches for miniature paintings, continued the tradition in a more measured format. The drawings provided a monochrome contrast to the opulent color of the animation and complex layering of the installation work. Installation; Sikander created a site-specific wall installation on the Museum's new 16-square-foot "art wall" in the atrium. The installation was a spontaneous reaction to the character of the space and content of her new suite of drawings and wasl created on-site over a period of ten days. Sikander has executed many wall drawings over the past six years sometimes using only paint an dother times utilizing squares of painted yellow tissue paper that are pinned to the wall. (Aldrich Contemporary Art Museum) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
important exhibitions from Shahzia Sikander |
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WHAT'S ON - current exhibitions with Shahzia SikanderPainting . . . EXPANDED03/11/2011 - 01/07/2012Gabriel Orozco Reena Spaulings Tal R Gelitin Shahzia Sikander Polly Apfelbaum Yinka Shonibare ...
Santurce |
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artist's websiteexternal Link to the website of the artist or his gallery/institution: Shahzia Sikander |
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Galleries representing
Barbara Mathes Gallery |
Collections representing
Deutsche Bank Collection |
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