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| Absalon | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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| Artist's Name: | Absalon | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Preferred medium: | installation | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| birth year: | 1964 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Nationality: | IL | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| City: | Paris | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Absalon - Profile |
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| The Israeli artist Absalon, who died in 1993 at the age of 28, produced an oeuvre of extraordinary complexity and unusual uniformity during his short life. Now for the first time, the KW Institute for Contemporary Art will show an extensive solo exhibition of works by this impressive artist. In his pieces, Absalon created spaces in a systematic manner, using unconventional arrangements and principles of selection and classification which challenge traditional concepts of use and function. In his words, "nothing forces us to make a chair look like a chair." Absalon gained recognition beyond art circles with his work group "Cellules" which he began in 1992. These small cells resemble architectural models or prototypes of living units. Designed in basic geometric forms of circles, squares and rectangles, these 4 to 8-m² rooms include all the necessities of life - kitchen, bath, place to sleep, Spartan furniture made of wood or plasterboard and everything painted sparkling white. His use of form is reminiscent to that of architectural modernity, the Bauhaus, de Stijl and Le Corbusier. The focus on absolute necessity, ascetic design and functional arrangement with smooth surfaces and white walls offer the "inhabitants" neither diversion nor distraction, but rather makes them more aware of themselves. Absalon described his cells as "my inner mirror" and as mental spaces. He had planned to display the six completed miniature flats in six different cities around the world. Although Absalon did not intend his works to be regarded as models of social utopia, they continue to fascinate us today for their forward-looking quality and can be interpreted as a socio-critical, artistic commentary on global mobility and the relationship of privacy, public exposure and identity. (Kulturstiftung des Bundes) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
important exhibitions from Absalon |
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WHAT'S ON - current exhibitions with AbsalonArchitektonika 205/04/2012 - 13/01/2013Absalon Jürgen Albrecht Fischli & Weiss Carl Andre Stan Douglas Nina Fischer & Maroan el Sani Bruce Nauman ...
Berlin Architektonika15/09/2011 - 27/01/2013Absalon Jürgen Albrecht Fischli & Weiss Carl Andre Sophie Calle Nina Fischer & Maroan el Sani Bruce Nauman ...
Berlin |
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artist's websiteexternal Link to the website of the artist or his gallery/institution: Absalon |
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Galleries representing
Galerie Chantal Crousel |
Collections representing
capc Musée d'art contemporain |
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