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Akseli Gallen-Kallela (1865-1931), Lake Keitele, 1905, Lahti Art Museum, Viipuri FoundationSymbolism was a pioneering movement in painting of the late 19th-century. Its roots lie in philosophy and poetry, and it was closely associated with music. Symbolist artists endeavoured to evoke dreams and visions, rather than record visible reality. A reaction to the growing industrialisation and materialism of Europe, symbolist works reflect feelings of fear and pessimism, as well as a longing for spirituality and mythology.
This is the first exhibition dedicated to the symbolist landscape in Europe. Some 70 poetical and evocative paintings of nature from the period 18801910 will offer a new perspective on this intriguing movement. Artists used their landscapes to represent their vision of death, dreams, infinity and the cosmos, feelings of nationalism or ideas about science and the modern age.
Edvard Munch, Melancholy, 1894/96, Bergen Kunstmuseum , Rasmus Meyers Samlinger, Munch Museum / Munch Ellingsen Group c/o Pictoright Amsterdam 2011 The exhibition will cover a wide range of artists, from forerunners of symbolism, like Böcklin and Whistler, to Mondrian and Kandinsky, who provided the impulse for major 20th-century movements, such as surrealism and abstraction. Works by renowned painters, like Monet, Gauguin, Van Gogh and Munch, will be presented alongside lesser known, but equally fascinating artists from the Nordic countries and Eastern Europe.
Music accompanying the exhibition
Symbolism emerged from philosophy and poetry and was closely connected to music. For instance, Kandinsky was inspired by the music of Schönberg, and Rachmaninoff wrote music to accompany Böcklins Island of the dead. Visitors to this exhibition can experience the mutual influence between these different arts for themselves by listening to compositions from the Symbolist period.
Themes
Vincent van Gogh (1853-1890), Wheatfield with Reaper, 1889, Van Gogh Museum, Amsterdam (Vincent van Gogh Foundation)The exhibition is organised into the following six themes:
Ancient and new paradises: Artists like Böcklin, Von Stuck and Puvis de Chavannes took inspiration from classical antiquity and mythology. Others, such as Signac and Gauguin, looked for paradise in unspoiled places far away from modern society.
Nature and suggestion: Rather than just faithfully representing reality, landscapes by Symbolists such as Gallen-Kallela, Sohlberg and Hodler also reflect the feelings that nature evoked in the artist.
Dreams and visions: Gauguin, Munch and Malczewski tried to open the gates to the unconscious mind. They painted dreams and visions, the world beneath the surface of observable reality.
Silent cities: Many Symbolist artists saw modern city life as a threat. Whistler, Degouve de Nuncques and Khnopff transformed the city into a mysterious, dreamlike landscape born of memory and imagination.
The cosmos: Through their landscapes, painters such as Watts, Van Gogh and Willumsen expressed their ideas about natural forces, cosmic energy, the eternal cycle of the seasons and the insignificance of human beings in the face of nature.
Into the mystic: In their quest to express the sublime and spiritual, many artists (such as Whistler, Signac and Ciurlionis) drew connections between painting and music, while others (like Mondrian and Kandinsky) took the first steps towards abstraction.
Artists: Akseli Gallen-Kallela , Edvard Munch , Claude Monet , Paul Gauguin, Wassily Kandinsky , Arnold Böcklin , Vincent van Gogh , a.o.
