The focus is Pardos virtuoso design of surfaces. They unfold to him as images, objects or wall reliefs a sensual opulent wealth. The core of the exhibition consists of three new pavilions. Pardo and his team have called Palapas lookalike. The design of the palapa is common in the tropics. It is open laterally, the roof is traditionally covered with palm leaves. Thus, these huts for protection from the sun and serve as a place of communication. In Pardos, the exhibition showcases walk Palapas and caskets at the same time. The outer walls consist of airy curtains. Ornamental perforated wood panels form a central interior.
The artist presents his work in a similar manufaktur organized workshop. Here Pardo worked with artistic assistants, experienced craftsmen and architects. In "Jorge Pardo Sculpture Studio in Los Angeles to craft entanglement and digitally controlled production in a unique way. The results put arts such as design, architecture, sculpture and painting into a new relationship. In his work consists Jorge Pardo with achievements of classical modernism and the design history. Suggestions deliver him artists like Hans Arp or Henry Moore and designers like Charles Eames and Verner Panton. Similarly, Jorge Pardo is influenced by conceptual art and institutional critique of the artistic. Here, pioneers such as Daniel Buren, Michael Asher or Heimo Zoberning an important role for Jorge Pardo.
Jorge Pardo himself describes itself as a sculptor. His work is the space in which the viewer moves. At first acts Pardos his tremendous work with colors and shapes like a seduction. Behind it stands, however, a certain artistic approach: Jorge Pardo introduces art and life together. Here he asks, what social significance the design and decoration in their forms and functions today.
