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Free Report ⇒ for free
Includes in addition to the profile of the artist an assessment of the gallery network, the presence in public collections accessible since 2004 and achieved worldwide attention throughout exhibitions.
Graphs and Charts ranking round out this summarizing document in pdf format.
Professional Report ⇒ only on request
Contains all the deep information , as well as price indices, market positioning in the art, latest auction results, a peer group comparison with regard to attention and potential value (price / Attention-ratio) and an opportunity-risk analysis. Reports are offered for artists who achieved a rank in the world league. These reports are chargeable and can not be created for every artist. For further information please follow the link.
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Art & Language - Profile |
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| The title 'Art & Language' was adopted in 1968 as the name of an artistic practice and group collaboration. Though the numbers within the group fluctuated, and were at one stage around thirty, since 1976 Art & Language has consisted of artists Michael Baldwin and Mel Ramsden, with the art historian Charles Harrison collaborating on theoretical projects. The activities of Art & Language have been marked from the outet by practical variety, by resistance to easy categorisation and by a tendency to provoke open and reflexive enquiry. Art & Language's earliest works date from before 1968, when the name was first adopted as the name of an artistic practice. In the following year, the first issue of the journal Art-Language was published in England. Then and over the next few years Art & Language provided a common identity for a number of people already involved in various types of collaboration. The mid 1960s had seen widespread collapse in the authority of those individualistic cultural protocols which go under the name of Modernism, and the coming together of the two terms 'Art' and 'Language' served to recognise a range of intellectual concerns and artistic expedients which that collapse had occasioned. For a variety of activities which bore practically and critically upon the concept of art, but which were at home neither in the studio nor in the gallery, Art & Language promised a social base in shared conversation. That conversation in turn transformed the practice of those involved and generated other kinds of work. (Lisson Gallery) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
important exhibitions of Art & Language |
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external Link to the website of the artist or his gallery/institution: Art & Language |
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Galleries representing
André Simoens Gallery |
Collections representing
Buenos Aires Museum of Modern Art - MAMBA |
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