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Free Report ⇒ for free
Includes in addition to the profile of the artist an assessment of the gallery network, the presence in public collections accessible since 2004 and achieved worldwide attention throughout exhibitions.
Graphs and Charts ranking round out this summarizing document in pdf format.
Professional Report ⇒ only on request
Contains all the deep information , as well as price indices, market positioning in the art, latest auction results, a peer group comparison with regard to attention and potential value (price / Attention-ratio) and an opportunity-risk analysis. Reports are offered for artists who achieved a rank in the world league. These reports are chargeable and can not be created for every artist. For further information please follow the link.
| David Altmejd - artist's data | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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David Altmejd - Profile |
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| Sculptor David Altmejd's complex labyrintine work, populated by goulish entities drawn from fairly tales, Greek mythology and Hollywood B-movies, juxtopposes a Modernist architectural model with a teeming world of sensory excess. Death and desires, the self and the other, decay and transformation - all are explicit th the forms and contexs of Altmejd's grotesqueries. Altmejd's use of materials is opulent, complex and evocatively incongruous. The artist's interest in the metamorphosis of the body is articulated in the recurring motif of the werewolf - its decaying flesh is bedecked with crystals and jewellery, while its habitats are sprawling platforms, boxlike rooms, mirrored surfaces and Plexiglass towers, connected at different levels by flights of steps, and lit from many sources. This exhibition of Altmejd's work. which investigates work produced from the late 1990s to today, differs from the usual traveling exhibition in that Altmejd talor-makes the exhibition in order to relate to the unique site of Oakville Galleries at Gairloch Gardens. altmejd responds to the domestic nature of this former estate: to its history, its use as shelter, issues of materialism and issues of public and private. The resulting exhibition "acts-out" the social relations inherent in such a location to promt further memory, association and imagination. (Oakville Galleries) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
important exhibitions of David Altmejd |
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Galleries representing
Andrea Rosen Gallery |
Collections representing
Art Gallery of Ontario - AGO |
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