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Free Report ⇒ for free
Includes in addition to the profile of the artist an assessment of the gallery network, the presence in public collections accessible since 2004 and achieved worldwide attention throughout exhibitions.
Graphs and Charts ranking round out this summarizing document in pdf format.
Professional Report ⇒ only on request
Contains all the deep information , as well as price indices, market positioning in the art, latest auction results, a peer group comparison with regard to attention and potential value (price / Attention-ratio) and an opportunity-risk analysis. Reports are offered for artists who achieved a rank in the world league. These reports are chargeable and can not be created for every artist. For further information please follow the link.
| Emmanuelle Antille - artist's data | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Emmanuelle Antille - Profile |
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| Her movies and video projects are intimate fictions depicting mothers and daughters, friends, lovers. Â'Angels Camp Â- First SongsÂ' is a body of work based on a fictional story. The exhibition consists of a number of sound and video installations, photographs, objects, music and a novel. A four-screen video installation features an array of characters who, in Antille's words, have decided to run away from society to a place where they build their own rules. Their shared experience, living in this imaginary world where the structures of society no longer apply, contains both the magic and violence of a fairytale. The raucous play of this makeshift family of refugees reveals both the liberating and negative aspects of their freedom - the viewer is placed within the action of this uncharted desert isle and invited to work their way into the narrative. Antille wrote the screenplay for Angels Camp after a road trip with friends through AmericaÂ's arid west, documenting the unlikely stories that yielded from each day with notes, maps and photographs. The film project is a result of the transcription, upon her return, of her impressions of and feelings about the experience. The soundtrack to the film was recorded live as images from the film were projected before the musicians, Honey For Petzi. The result is an intuitive musical response to the visual image, reminiscent of techniques used in early cinema. (Site Gallery, Sheffield) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
important exhibitions of Emmanuelle Antille |
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external Link to the website of the artist or his gallery/institution: Emmanuelle Antille |
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Galleries representing
Galerie Akinci |
Collections representing
Frac Lorraine |
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