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Free Report ⇒ for free
Includes in addition to the profile of the artist an assessment of the gallery network, the presence in public collections accessible since 2004 and achieved worldwide attention throughout exhibitions.
Graphs and Charts ranking round out this summarizing document in pdf format.
Professional Report ⇒ only on request
Contains all the deep information , as well as price indices, market positioning in the art, latest auction results, a peer group comparison with regard to attention and potential value (price / Attention-ratio) and an opportunity-risk analysis. Reports are offered for artists who achieved a rank in the world league. These reports are chargeable and can not be created for every artist. For further information please follow the link.
| Kai Althoff - artist's data | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Kai Althoff - Profile |
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Kai Althoff focuses on the artist's most recent artistic production, including new resin and iron sculptures, several collaborative projects and a re-envisioned environment from the 4th Berlin Biennale, along with a selection of celebrated earlier works. Althoff was born in 1966 in Cologne, Germany. Based in the city of his birth, the artist travels extensively for his individual and collaborative endeavours, exhibiting his work both nationally and internationally. His artistic output encompasses a vast spectrum of media, including works on paper, painting, photography, music, videos, text, performances and installations. Althoff is also co-founder of the German band Workshop, which figured largely in his early artistic practice and whose namesake—a place of individual and collaborative creative production—remains a recurring theme in his work. During the 1990s, Althoff maintained a strong presence in Germany and elsewhere in Europe. With his exhibition Impulse (2001) at New York's Anton Kern Gallery and his inclusion in the Museum of Modern Art's landmark exhibition Drawing Now: Eight Propositions (2002), Althoff's international stature blossomed. While these exhibitions gained him a reputation for painting and drawing, it was the artist's first major museum survey at the Institute of Contemporary Art, Boston—Kai Kein Respekt (Kai No Respect) (2004)—that showed audiences the breadth of his exceptionally diverse artistic production. (Vancouver Art Gallery) |
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important exhibitions of Kai Althoff |
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Galleries representing
ACME Gallery |
Collections representing
Dacra Art & Design Collection |
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