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Free Report ⇒ for free
Includes in addition to the profile of the artist an assessment of the gallery network, the presence in public collections accessible since 2004 and achieved worldwide attention throughout exhibitions.
Graphs and Charts ranking round out this summarizing document in pdf format.
Quick Report ⇒ € 4.90 (incl. VAT)
In addition to the normal artist profile and the Free Report, the Quick Report provides always own texts as well as a data-based assessment of the financial value and the potential value. Reports are offered primarily of artists who have already developed a certain standing in the international art world.
Following the link you will find an example of a Quick Report on Andreas Gursky with explanations. Or take a look at the FAQ`s.
Professional Report ⇒ only on request
Contains all the deep information , as well as price indices, market positioning in the art, latest auction results, a peer group comparison with regard to attention and potential value (price / Attention-ratio) and an opportunity-risk analysis. Reports are offered for artists who achieved a rank in the world league. These reports are chargeable and can not be created for every artist. For further information please follow the link.
| Michael Wesely - artist's data | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Michael Wesely - Profile |
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| Parallel to its Â'Vases with SpoutsÂ' exhibition, the Gemeentemuseum presents a series of impressive photographs in which Michael Wesely (b. 1963, Munich) has explosively recorded the whole process of blossoming, growth and slow decay in vases of tulips. By using an extremely long exposure, Wesely succeeds in making all the various stages visible in a single photograph. The process of blossoming and fading: A photograph normally records a single moment in time. WeselyÂ's photographs are different. They record what cannot, by definition, be captured in the blink of an eye: the passage of time. He achieves this through the use of extremely long exposures. In these particular photographs, Wesely has decided the length of exposure according to the lifespan of each individual vase of flowers. If the tulips had faded after five days, the exposure was ended. If they lasted seven days, so did the exposure. Although the process of blossoming and fading seems to be the same in every case, the photographs are surprisingly varied. In one, the blossoming stage may be most visible; in another, it is the fading that is most clearly recorded. Wesely came to prominence with his Â'Open ShutterÂ' project, for which he set up cameras at various locations in and around the building site during the renovation of the Museum of Modern Art in New York. By leaving the shutters open throughout the construction work, he produced a series of beautiful and ghost-like images. (Gemeentemuseum Den Haag) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
important exhibitions of Michael Wesely |
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external Link to the website of the artist or his gallery/institution: Michael Wesely |
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Galleries representing
Fahnemann |
Collections representing
Neue Nationalgalerie Berlin |
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