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Free Report ⇒ for free
Includes in addition to the profile of the artist an assessment of the gallery network, the presence in public collections accessible since 2004 and achieved worldwide attention throughout exhibitions.
Graphs and Charts ranking round out this summarizing document in pdf format.
Professional Report ⇒ only on request
Contains all the deep information , as well as price indices, market positioning in the art, latest auction results, a peer group comparison with regard to attention and potential value (price / Attention-ratio) and an opportunity-risk analysis. Reports are offered for artists who achieved a rank in the world league. These reports are chargeable and can not be created for every artist. For further information please follow the link.
| Piotr Uklanski - artist's data | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Piotr Uklanski - Profile |
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| "Bialo-Czerwona" (white-red), referring to Poland's bi-colored flag, is a nationalist slogan as familiar to Poles as "Red, White, and Blue" is to Americans. Uklanski's title unites diverse works that engage typical imagery of his native Poland and play on the red/white palette. Although BIALO-CZERWONA is, on one level, authentically Polish, in its use of populist decorative traditions and political symbols alluding to the country's not-so-distant Communist past the exhibition is also a highly stylized performance of identity. Throughout the exhibition, Uklanski utilizes humble materials to create works that draw on the celebratory ambitions and aggrandizing stagecraft of political events. By fusing such propagandist gestures with vernacular techniques and materials borrowed from popular folk traditionsÂ--exemplified in Szopkie Krakowskie (Christmas crèche scenes)and a site-specific mosaic fashioned from ceramic dishwareÂ-- he conjures an idealized vision of his homeland. Not only does Uklanski exploit the "exotic" quality of these indigenous forms; by reifying their very ordinariness, he elicits beauty from the confines of lo-fi objects. At once monumental and humble, collective and individual, profound and banal, theatrical and genuine, the works in BIALO-CZERWONA advance Uklanski's ongoing project to create deliberately unstable political, formal, and symbolic meaning in art. (Gagosian Gallery 21st Street - New York) | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
important exhibitions of Piotr Uklanski |
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external Link to the website of the artist or his gallery/institution: Piotr Uklanski |
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Galleries representing
Gagosian Gallery - Rom |
Collections representing
Deutsche Bank Collection |
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